Movie Review: Hum Tum

Title: Hum Tum (2004)
Director:  Kunal Kohli
Starring: Rani Mukerji and Saif Ali Khan

Hum Tum was one of my favorite films out of the 10-film run in my previously-mentioned period of being Netflix-stalked by Rani Mukerji.  If you are a romantic comedy fan and looking to give Bollywood a try, this is a great starter film (probably better than the usual intro-to-Bollywood film most of us get, Bride and Prejudice…because that movie wasn’t great over all).  It’s got enough Bollywood to wet your whistle without overwhelming those who may not be used to that style, and the final package is as well, or better polished and delivered than many U.S. mainstream romantic comedies.

Immature cartoonist Karan tries to impress serious Rhea on their flights from India to Amsterdam to New York…and fails.  While on layover in Amsterdam,  they seem to be calling a truce, until Karan crosses the line and plants a kiss on her.  Over the years that follow, Karan and Rhea meet and part several times.  They develop a friendship based predominantly on mutual harassment and Rhea ordering him to “Shut up, Karan!”  Since I’ve already told you it’s a romantic comedy, it should be no surprise that the conflict comes in these two trying to transition from friends to lovers.  The plot is heavily inspired by When Harry Met Sally, a fact openly admitted by the director. Since I only know the one scene from When Harry Met Sally (we all know the one), and that’s not in this version, I can’t really speak to how similar they really are.
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Review: Just Buried

Written by: Chaz Thorne

Directed by: Chaz Thorne


Okay, I watched this one at my friends’ house right after we watched Ahhh!  Zombies! Once again I was not taking notes while watching, so this review might be less detailed than normal.

This movie is a dark romantic comedy about a man who inherits a funeral home in a town where no one seems to be dying, falls for the cute but kinda creepy mortician, and finds some creative solutions to their business problems (read:  they start killing people).

It’s very dark (as one would suspect judging by the subject matter) and yet strangely cute also (as one would not necessarily expect).  Rose Byrne does a particularly good job of making her character attractive despite her whole tendency to kill people.  Jay Baruchel makes his character’s evolution thought out extremely clear, which I liked.

My only minor complaint was that the last scene seemed jarring in a way that didn’t help the film over all for me.  I wouldn’t change the ending narratively, just something about the way that scene unfolds.

Rating:  four out of five jars of peanut butter