Title: The Girl (Original Swedish Title: Flickan) (2009)
Director: Fredrik Edfeldt
Writer: Karin Apphenius
Cinematography: Hoyte Van Hoytrma
I stumbled across this one at my local library. Having not watched a foreign film in a while, I decided to give it a whirl. I didn’t really expect much more than a little variety to shake up the string of BBC offerings I’ve been checking out from the library’s DVD section lately. What I got was a visually beautiful, moving film.
You might notice that I noted the cinematographer above. That’s because the way this film was beautiful visually. That’s not to say it was full of sweeping vistas or shiny dance numbers or incredible costumes. It was the composition of the shots, the way light was captured. If had a greater experience with visual art, I’d be better at describing it, but the long and short of it is that reading the English subtitles is not the only reason I couldn’t tear my eyes from the screen.
The story follows The Girl (never named), whose parents and brother leave for an African aid mission. She was supposed to travel with them, but a last minute notification of restrictions due to age (she is 9 and a half) results in The Girl being left at home in the care of a somewhat unstable Aunt Anna. Singularly unimpressed with this woman-child that she barely knows, The Girl is more than happy when Aunt Anna leaves her alone to go off sailing with a boyfriend. The Girl begins a summer of freedom.
But, before you start to think this is a summery, Swedish version of Home Alone, be assured, it’s not. The Girl’s freedom devolves into a loneliness and isolation that comes right up to the borders of madness before a meeting with a stranger pulls her back into society and reality.
And The Girl herself is remarkable. Little Blanca Engström does a very impressive job of conveying the complex emotions involved in The Girl’s isolation. She has a unique look with her red hair and skinny form–she stands out in every shot she appears in. And for such a little girl, she can be intense with just one glance, almost to the point of creepiness. You really don’t need the subtitles to pick up on the emotions and follow the path of this story. If this young actress doesn’t do any more movies, we are all losing out, I’m telling you.
By the end of this movie, I had the same kind of feeling I have after reading a really excellent book that I know I’ll never forget even if I never manage to read it again. Usually I withdraw from foreign films that are too “arty” but in this case, it struck the right chord–stable plot, deep emotion and beautiful shots. I give it 4.5 out of 5 jars of peanut-butter.